I’m always on a quest for the perfect ink. A long time ago, Jimmie Robinson told a group of us who were at a meeting of Bay Area comics creators that he used Speedball Super Black. Over the years, this is probably the ink that I have used the most and the most often returned to.
Well, I’m returning to it again.
Most recently, I have been trying out Holbein Super Opaque Black Acrylic Ink. As I mentioned in a previous post, I tried it because I had really loved Holbein Special Black, but couldn’t get that ink anymore. The Super Opaque Black isn’t an India ink, but instead a water-based acrylic. So I was concerned at first, but it’s a good ink. The lines I get from it are fine and it’s probably the blackest ink I’ve used. It dries like a watered down acrylic paint. So its coverage is incomparable. However, the longer I’ve used it the thicker it has gotten. Even when I vigorously shake up the bottle before I pour it out, it is often so viscous that I cannot get it to flow from my dip pen nib. Water in my ink well helps, but too much can cause the ink to gray out. Also, over time I’ve noticed that my nibs are gumming up and wearing out faster. I think the acrylic is just hard on my tools. But I wanted to give it a fair try and so I kept going with it. But my frustration was growing and that’s never a good thing.
So I switched back to Speedball Super Black. And it flows like a dream. Now, what tends to make me drift away from Super Black and try other inks is that Super Black tends to be a bit watery. On the one hand, this is why it flows so well. On the other hand, it can fuzz out and bleed on certain papers. Obviously, I can just use papers that work with Super Black, but sometimes I like to try out new notebooks and sometimes Super Black doesn’t work on the paper in them. And so I yearn for something more dependable.
Really, what it comes down to is that Holbein Special Black was the best ink. It sucks that I can’t get it anymore.